The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.
Manufractur
No Title
Colors of Summer
Abolition of Property
The Movement of People Working
Deux fois
Quick Billy
Coal Confession
Intoxicated
Ingénue
Running Shadow I
Colossal
Islands
Taglish
One 11 and 103
Todo Todo Teros
Refrains Happen Like Revolutions in a Song
Mapang-akit
State of Rest and Motion
Irradiant Field